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身体相关 body relavantmore

由反馈独奏发展而来的简单肢体动作。有“原声舞蹈”等现场表演,也有《芬兰森林》等录音作品,以及《手势 1&2》等作曲作品。
performance of simple body movements which were developed from feedback solo project. live performance such as “acoustic dance”, recording works such as “fennish woods”, and compositions such as “gestures 1 & 2”.

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反馈独奏 feedback solo: more

简单的身体/声音表演。使用调音台、喇叭、话筒、接触式话筒、空间构成的反馈系统,声音由身体动作/身体表演来触发,但不完全控制。
feedback noise influenced, but not totally controlled, by simple body movements/performance. using feedback system consists of mixer, speakers, mic, contact mic and the space.

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人声 voicemore

非常简单的人声即兴。有时候伴随若干嘉宾做为背景,称为《带背景的独奏》。
very simple voice improvisation. some times with guests as background as “solo with background”.

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作曲 compositionmore

《临时的音乐》、《噪音音乐》、《美术馆音乐2号》、《手势 1、2》、《情绪音乐》……主要是为表演性的音乐而写的作品,也有为常规乐器写的作品,例如《6×4》,这是一个探讨时间的作品。
“temporary music”, “noise music”, “museum music 2”, “gestures 1 & 2”, “emotional music”… mostly composed for performative music. also write for conventional instruments such as “6×4”, a piece about time.

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电子音乐作曲 electroacoustic composition

《七首诗和一些耳鸣》、《来自观众》……以田野录音或电子杂音做为素材的录音室作品。致力于非传统的结构、无方向、迷失的美学。
“7 poems and some tinnitus”, “from audience”… studio works consist materials of field recording and/or electronic noises. dedicated to nontraditional structure and confusion aesthetics.

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线性二重奏 linear duomore

使用象棋/围棋计时器,在线性的时间结构里实践即兴合奏。“基本版”(视频)是对音乐中的时间的考察。
an experiment on improvised music collaboration under linear time structure. the “essential version” (video) is exclusively focus on time in music.

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噪音催眠(微型反馈) Noise Hypnotizing (Micro Feedback)more

用简单的设备,对所在环境的声音进行放大,得到丰富的高频反馈噪音,用耳机输送到观众耳中。它更接近一种生理体验,而不是音乐。可以在任何地方表演,最好观众都能躺下。
rich high frequencies noise feedback within the environment were sent to ears through headphones. it’s more about a physical experience than music. can be played anywhere. would be nice if audiences could lie back.

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客厅巡演 Living Room Tourmore | more more | 客厅巡演笔记

发起于2011年,也邀请其他乐手参加表演和组织。尽量不带乐器,利用现有物品和环境而做表演。
常年接受预定:必须是在住的地方。大小不限。条件不限。
initiated in 2011. also other musicians have participated. bring no instrument. play objects found in the room, play with the environment.
open for booking: any condition of a place of living.

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即兴委员会 Impro Committee

由颜峻发起的,一个演出阵容不确定的即兴音乐组织。自2011年以来,常以游戏/规则、客厅巡演等形式表演,探索非常规的即兴合奏。成员主要是北京的年轻乐手。每次演出使用不同的名字,例如冬季即兴委员会、临时即兴委员会,等等。参加者包括颜峻、李增辉、照骏园、史阳、守望、盛洁、王子衡、闫玉龙、李青、李维思、VAVABOND、Olaf Hochherz、Iku Sakan、GogoJ、刘心宇、赵丛、朱文博、阿科⋯⋯
an improvised music group initiated by Yan Jun. consists unfixed line-up. since 2011 they often perform under situations such as game/rules and Living Room Tour etc, to discover unconventional group improvisation. most members are young musicians from Beijing. name changes for each performance such as Winter Impro Committee, Ad Hoc Impro Committee… participants: Yan Jun, Li Zenghui, Jun-Y Ciao, Shi Yang, Shouwang, GogoJ, Wang Ziheng, Yan Yulong, Li Qing, Li Weisi, VAVABOND, Olaf Hochherz, Iku Sankan, GogoJ, Liu Xinyu, Zhao Cong, Zhu Wenbo, Ake…

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展览 exhibitionmore

并非以“声音艺术家”的身份创作,而是做为使用声音和音乐的艺术家。
not work as a “sound artist” but an artist work with sound and music.

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田野录音 field recordingmore

收集日常生活中无意义的声音、录音设备自身的声音、观众发出的声音,等等。
collecting meaningless sound of everyday-life, sounds of recording equipment itself, sounds of audiences, etc.

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瓜籽 sunflower seedsmore

一个偏爱的素材和乐器。
one of favorite materials and instruments.