打开邮箱，两样。新的wire，封面是工作狂phill niblock。送一张CD，又是domino 10 days的宣传合辑。Marqido的二人组合10的宣传品。
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Archive for February, 2006
向Marqido学习推广
Tuesday, February 28th, 2006摔了
Sunday, February 26th, 2006一个女人在跟王迪说话的时候碰掉了R-1然后说了句对不起消失了。
我惊讶地看着她并且感到愤怒。
事实证明这个愤怒是有道理的。要送修了。
如果是把我自己的一部分放桌子上眼睁睁看着被碰到地上，大概也是这种惊讶的感觉，但是就不会愤怒。所以愤怒好，有利身心健康。可惜只愤怒了一小会儿。
elliott sharp和white
Sunday, February 26th, 20063场演出。
23号，what，内部演出。white先演，老teisco键盘，老korg ms20合成器，电鼓，吉他，小话筒……。然后elliott独奏，手指翻飞拍打，loop、delay成多层，但马上破坏极简派的数学（或者说算术），进入混沌模型，数条结构线并行，几重效果各走空间一方，然而还有下一层——利用随机，跟在随机后面即兴，并把这即兴加到复杂的结实的整体架构里去。然后3人一起，沈静打鼓。守望弹了很多铺垫般的吱噶声，像助手的感觉，但他摸得很准确。演完后elliott说it’s dry run，但当然很高兴，都是小试身手的感觉。用NT4录了。
24号，两个好朋友，门票30。除了头一天的8弦吉他（加了两根贝司弦的）和效果器，elliott又接进了电脑。如果说头一天他像是飞快演奏，同时观察自己的演奏，那么第2天则更多渲染，一上来就用厚的声音撑满了空间，并笔记本即兴做了一些更多维度更声音细节的调变。观众看得很认真。white用递进转折和潜在的极简派方式，轻松达到爽。两个好朋友声场比较温暖醇厚但也较散乱，录音完全不同于现场。
25号，愚公移山，门票50，人乌秧乌秧的。一进去看见王迪在调音，单小帆在调鼓，有4台DV在拍，愚公移山重新装修以后显得更专业和有档次了。所以很多人来玩，包括很多来看吉他大师弹solo并打算一起jam玩fusion的乐手。今天全透了。虽然第一段的white不如之前好，有点累的样子。但elliott一上来就耍开了，感官爆炸的样子，虽然他的音色不炸，但是气氛色彩却比之前有力和丰富，调变后一个滚动的低频在空气中长驻（沈静可以学习，当ms20做同样功用的时候），吉他在各种程度的闷和硬和分量中伸出刺和闪光和一闪而过的成簇颗粒然后无休止地转身变形重复重叠或貌似重复重叠（分形几何之说，应该可以通过对这种大段的演奏进行分析而得到验证）。23分钟的时候他开始了一个隆重的低频，把之前某种意义上的枯燥展开提纯，变成越来越深的体验，一个即兴进行预谋的宇宙观察者。飞了。就像之前两天还在接地气，今天才使出劲来。然后3个人的合奏，酷极了，守望沈静都通透无比，果断准确，默契，决不罗嗦而且高潮以一种节约的方式延续着，大片发亮的噪音在后半段涌现，和前面结实的铺垫顺理成章，层次复杂而合理，鼓点的重复比之前的energy jazz/free jazz打法更高明更有深度（因为用合适的重复让人晕是上策，她的技术还不够让人从晕到更晕然后还能再晕）。最后李青上来，4个人再噪，依然宣泄而且在理性边缘，因为照顾周全而让人由衷地舒服。我发现要对别人说你演得真棒，一定得是真的喜欢才能说出来，今天这话是脱口而出的。回头得和michael、blixa商量商量发行的事。
摄制组的录音师说：真鸡巴难听。
很多熟人朋友，人海茫茫。
花园
Friday, February 24th, 2006花掉生命中的88分钟，看derek jarman的the garden，是值得的。
derek jarman，毛尖曾经在《万象》上写过的。英国导演，诗人，画家，同性恋运动战士。整体大于部分之合，他是上述4个身份的总和，他的电影就是诗歌，不仅仅因为总是有旁白或对白来念他的诗。也是画，超越了“静止”和“运动”。当然也是社会议题的直接实践，像《花园》里梦幻视觉和政治态度的直接拼合，那么美，震撼。
1994年双目失明。然后死于爱滋病。
不是一般的哲学爱好者。《维特根斯坦》不是拿名字来吓人的。
最后的作品《蓝》，在威尼斯双年展首映，是一部抽象的，全是蓝色的电影。《Jubilee》、《Sabastiane》在影象、政治、宗教、朋克文化方面制造的震动，不亚于电影本身的成就。
全都能买到盗版DVD。《花园》是其中最漂亮的，大段大段的正常人能够轻易接受的美，在院线发行取得了成功。居然。scanner在sub rosa发表的garden full of metal就是向他致敬的专辑，里面有他的声音，和一段从电影素材里剪出来的视频。我还买过一张miranda sex garden乐队的donna mckevitt和他合作的仿古诗乐唱片，translucence，是他的诗。
要说耐看，也许还是The Last of England。因为需要看很多遍并且研究过他本人，还熟悉英国的历史、宗教、无政府主义、哲学、戏剧还有70年代先锋电影等等，可能才会接近全看懂。但是《花园》像MTV，适合所有人，深度在梦幻感的掩护下得到了保存。
simon fisher turner和他一起完成了这个电影。音乐、同期声（包括导演说话、工作的镜头和声音）、声效，和画面一起。从现代乐派到一个金属乐手刷着吉他嚎叫，到古典弦乐里大提琴的振荡和抚慰，到古董合成器的轰隆隆的声效。12个妇女在海边的长桌边坐着，一起用手指摩擦大肚高脚杯，那声音和镜头多次出现并且持续很久。在沙石地上，蒙面摄影师们追逐女人，装了马达的快门声和踩在沙石上的声音。导演自己的手持摄影机咔咔运转的声音。
从粗糙的现实感中燃烧起来的画面，和戏剧的灯光、服装（够酷的，那4个铲土的家伙）。印着汉字“神力扶持”的风车。
激烈的、赤裸裸的象征，但他不是复古，他在挥霍象征的时候是一个浓缩型的现代主义者。然后他把抒情、荒谬、象征和露骨的政治态度和实验电影传统都搞到彻底。视觉的想象力，在色彩、节奏和元素的反复上面，都出乎一般人，比如我的想象力，他超越了我的逻辑。从这一点来说他有一个我够不着的精神世界。在看《庆典》的时候，几乎因为画面的粗糙而又听不懂朗诵而要放弃的时候，就总是因为这种意外，把我按住了。像是那种花35分钟玩罗嗦的噪音然后突然停下来一小会儿的感觉，这一小会儿会让人觉得之前的一切都值得，都必须。然后就要从头再看一遍。这就是jarman的魅力。
每个人都是一台合成器
Thursday, February 23rd, 2006小测验……
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水陆观音第三十七期
Thursday, February 23rd, 2006美之瓜5+1……以我和小河遭遇的经验，完全不能预料他们会干什么。有一次他在舞台对面，在噪音的缝隙里和空间的节骨眼上吹口风琴。有一次他死死压住合成器的方波按钮说我们再坚持一会儿。还有一次他指挥了一场乐手和观众集体参与的噪音法会。
2月28日星期二，晚9点30分
1，美之瓜5+1
地址：燕莎以东1500米，汽车电影院，两个好朋友酒吧。
电话：81964820/13552276845
waterland kwanyin #37
february 28th, tuesday, 9:30pm
1, mei zhi gua 5+1
venue: 2 kolegas bar, qi che dian ying yuan (drive in movie theater, dong feng road, east of liang ma qiao)
number: 81964820
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美之瓜5+1
李旦、宋雨哲、叶鹏刚、万晓利、小河、乔西。
万晓利和小河就是在摩登天空出过民谣专辑的那两位，也是在“小崔说事”里出现过的那两位，但晓利不会在那样的场合表演即兴喉音，小河也不会在河酒吧或者央视玩合成器噪音、迷幻民谣、人声实验。
在第一届大山子艺术节，美好药店和顶楼马戏团曾经联合进行了一场高能迷幻演出，连同恶搞派影像和DIY声音装置。后来，美好药店和木推瓜两支乐队的部分成员，组成了美之瓜乐队，以即兴方式演奏民谣、爵士、摇滚和少量噪音。但意外总是那么茁壮，那个正常的美之瓜，会在水陆观音制造什么样的现场，没有人知道。连同他们自己。
mei zhi gua 5+1
li dan, song yuzhe, ye penggang, wang xiaoli, xiao he, qiao xi. musicians from mei hao yao dian, mu tui gua, tongue and more groups.
normally, mei zhi gua is a band who offer normal folk, jazz and rock jam. but they might be not normal sometimes.
even they themselves don’t know on which condition they will become to sun city girls meet acid mothers temple plus low-end minimal drone…
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水陆观音：
一个有关声音、音乐、艺术和环境的系列交流活动。
每周二晚上，免费入场，室内演出，室外赋闲。
北京第一个和惟一的向实验/即兴音乐家、艺术家开放的交流平台。包容来自不同背景的表演者，鼓励自由即兴和实验探索，力图促成更多的合作，激发表演者和观众的想象力，并混淆他们之间的区别。它延续观音唱片的宗旨——追求精神性的实验音乐和影像，追求表演和环境的沟通统一，探讨、促进新音乐的生态环境。
除了常规演出之外，还提供workshop、影像放映和艺术讲座。
观：可观看的影像、建筑、环境、表情；
音：被感知的声音、音乐、语言、信息。
由观音唱片/Sub Jam主办
曾经出现在水陆观音舞台上的名字：
718、武权、武子以、王凡、颜峻、张荐、丰江舟、小河、柿子、孙玮（THX）、健崔、杨韬、铁观音、背信弃义的双鱼座人、Szkieve、姚斌、八股歌、美之瓜、虎子、欧宁 + 曹斐、Mogauwane Mahloele、老赵、郭龙、李铁桥、曾勇（21g工作组）、Melvin Gibbs、金闪、小四、王长存、fm3、崔健、Huoratron（Aku Raski）、earweego、Jackson Garland、White、Staalplaat Soundsystem、巫娜（暮良文王）、王磊、Nara、iloop、朱剑辉、刘小宁、孬、糖、铁子以、Dead J、DJ OK、ME:MO、SUN dawei、Randomk(e)、DDV（from club moral）、DJ OK、伊力奇（杭盖）、周日升、Eugene Martynec、A Train Wreck for My Comrades、谢天笑、2J、tatsuya nakatani（中谷达也） + audrey chen（陈皓伊）、Frédéric Blin + Aymeric de Tapol、Pink Twins、kristian、NASA、田鹏、守望、沈静（挂在盒子上）、麻沸散、阿米巴、郭大刚（舌头，沐耳）、carlos djanuno dabo、choral & pornostar、[)l337……
waterland kwanyin
—-sound, music, environment, workshop
kwanyin is name of a popular buddha in china, kwan(guan2) means view, observe, watch, etc. yin(yin1) means music, sound, sonic existence, information, etc.
it’s the only and first open plate for experimental, improvised musicians/artists who live or transiently in beijing. as the idea from kwanyin records, it offers opportunities for artists from different background who now (or in the future) be into free music, i.e. abstract and spiritual sound, field recording mix, noise, as well visual art, body performance, etc.
also combined with film screenning, lecture, workshop and special party.
every tuesday, free entrance.
it’s a kwanyin record/sub jam production
who were played here:
718, wu quan, wu ziyi, wang fan, yan jun, zhang jian, feng jiangzhou, xiao he, shi zi, sun wei(THX), jian cui, yang tao, tie guanyin, Perfidious Pisces, Szkieve, yao bin, 8gg, mei zhi gua, HZ, ou ning + cao fei, Mogauwane Mahloele, christiaan virant, guo long, li tieqiao, zeng yong, zeng yong(21g), Melvin Gibbs, jin shan, sic, wang changcun, fm3, cui jian, Huoratron（Aku Raski）, earweego, Jackson Garland, White, Staalplaat Soundsystem, wu na (from mu liang wen wang), wang lei, Nara, iloop, double fish, liu xiaoning, nao, tang, tie ziyi duo, Dead J, DJ OK,me:mo, SUN dawei, Randomk(e), DDV（from club moral）, yi liqi (from hanggai), zhou risheng, Eugene Martynec, A Train Wreck for My Comrades, Xie Tianxiao, 2J, tatsuya nakatani + audrey chen, Frédéric Blin + Aymeric de Tapol, Pink Twins, kristian, NASA, tian peng, jeff zhang, shen jing (from HOTB), ma fei san, amoeba, guo dagang(from tongue, muer), carlos djanuno dabo, choral & pornostar, [)l337…
Zbigniew Karkowski在北京
Wednesday, February 22nd, 2006声音艺术界明星级人物卡科夫斯基，再次和香港实验音乐家李劲松巡演到北京……
3月8日晚8点半，798南门空间，兹比格涅夫·卡科夫斯基，李劲松（DJ Dee），铁观音四重奏，Sub Rosa Soundsystem（Guy Marc Hinant + film），门票50，电话：64382797/84564949 主办：观音唱片
march 8th, 8:30 pm, 798 south gate space, Zbigniew Karkowski, Li Chinsung (DJ Dee), Tie Guan Yin Quartet, Sub Rosa Soundsystem（Guy Marc Hinant + film)……. ticket: 50rmb, contact: 64382797/84564949
更多活动见最下面的活动安排。more event about zbigniew karkowski, see end of below.
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兹比格涅夫·卡科夫斯基
兹比格涅夫·卡科夫斯基（Zbigniew Karkowski），1958年3月17日生于波兰城市克拉可夫。90年代初开始进行音乐创作，现在日本东京居住和工作，为当今实验音乐界最受瞩目的人物之一。他的音乐创作十分广泛，当代古典、工业音乐、实验音乐，乃至流行音乐均有涉足。多年来他的作品在欧洲、北美、澳洲多个国家和日本获得演出。其音乐悬疑性高，内容及结果无法预测，特别著重于拓展人类听觉功能之极限。作品在美日澳欧各地演出。现为国际知名高科技多媒体互动表演团体“感应器乐团”（Sensorband ）主要成员之一。
受到热爱古典音乐的母亲影响，卡科夫斯基从小就开始练习演奏钢琴和长笛。十一二岁就被送往当地的肖邦音乐中学，较系统地接受了正统音乐理论教育。70年代末，当朋克音乐流入波兰，他马上喜欢上了这种音乐。当时他满脑子都是The Clash和The Sex Pistols，日渐背离学校里迂腐陈旧的教序和音乐环境。
结束学生时代后，他开始在欧洲的流浪生活，辗转荷兰、德国柏林和法国巴黎等国家后，于1980年在瑞典的歌德堡市（Gothenburg）定居下来，私底下跟随Sven-Eric Johanson学习十二音阶、对位法等作曲技巧。在那里他与Michael von Hauswolff、Ulrich Hillebrand、Erik Pauser和Johan Soderbergh等志同道合者相遇，他们的存在同时也令歌德堡成为欧洲一个重要的实验音乐出产地。在那几年间，卡科夫斯基参与了众多不同的组合，其中较引人注目的是一支名为DNA的工业摇滚乐队，音乐风格受Einsturzende Neubauten、Throbbing Gristle 、Cabaret Voltaire等工业噪音鼻祖级乐队的影响。与此同时，卡科夫斯基还坚持在当地的“Ny Scen”（New Scene）等演出场地演出。后来更成立Radium 226.05组织，进行演出和录制唱片。他认为Radium对他的创作有很大的影响。当时Radium录制各种音乐的唱片，既有各种地下摇滚，也有Avant Garde音乐。他说：“Radium在我的音乐历程中担任着十分重要的角色，而不仅仅是催化剂”，“它给我创造了更大的机会，让听众可以欣赏到我不同的音乐风格，给我创作增加了很大的信心和动力。”
1985年，卡科夫斯基入读歌德堡国立音乐学院学习作曲，又于歌德堡大学的音乐学系学习现代音乐美学，在Chalmers理工大学学习电脑音乐。在瑞典完成学业后，又在荷兰 DenHaag市的皇家音乐学院学习了一年的声学。在整个求学期间他利用暑假时间参加了许多大师开办的作曲课程，所有授课的教师都是像梅西安、布列兹、Iannis Xenakis、Georges Aperghis等二十世纪伟大的作曲家。这段学习经历对卡科夫斯基日后创作的倾向甚为重要。因为在众多的作曲家中唯有Xenakis给他留下了深刻的印象。他形容布列兹和Xenakis就像两个对立面。前者沉着、自容、永远对所有事情都胸有成竹、全盘掌握；而深受文艺复兴时期各类艺术思潮影响的Xenakis处事却是凭直觉和细心，在他的讲演中，往往会讲及很多不同的主题，从化学反应到非洲部落音乐，完全没有任何限制，令人意料不及。“我被吸引绝不仅仅因为Xenakis的音乐，而是他那种打破学院派先锋形式主义的表达方式。那是自然的和自觉的。”卡科夫斯基这样评价自己的精神导师。
拥有深厚的音乐理论水平和自由的音乐创作态度的卡科夫斯基在完成了所有学业后正式开始了他的音乐生涯。他创作的多部电子原音、电脑音乐作品均获欧洲多个音乐节演出，在美国也举行一系列的巡回演出和受邀制作电台节目。同时他也写传统器乐，并曾受歌德堡交响乐团的委托写过两首管弦乐作品，另外还创作过一部歌剧和一些室内乐作品，由瑞典、波兰、德国等地的职业乐团演出。1990年，他被阿姆斯特丹著名的STEIM电子录音室聘为长期作曲家，这可是众多作曲家梦寐以求的事。
在长达十几年的创作生涯中，卡科夫斯基与欧洲多个著名的先锋乐团、组合和乐手有过合作的演出。其中最著名的是他与田中能（Atau Tanaka）以及 Edwinvan der Heide组成的三人团 Sensorband，由于其对于新型乐器界面的利用而受到学院内外双方面的关注，他们带着作为学院内教授们研究对象的尖端乐器（注：主要是手势动作控制器Gestural Controller）出现在地下实验音乐演出台上，而其音乐风格，根据他们自己的描述，是一种“结合了强力的打击节奏、深绵的长音以及痛快的旋律片断的音乐。”他们使用的乐器是一套由 32个红外线传感器构成的系统，其中16个是发送器，另外16个是接收/探测器。这些对速度敏感的传感器被成对安置，它们会侦测手臂的位置和运动速度，其电压数据被一个特制的扫描器转化成MIDI 讯号，这些讯号随即被输入 MAX软件（此软件是整个系统的大脑），接着再被输入 SampleCell II（这相当于管弦乐队）。这套系统是由卡科夫斯基和Ulf Bilting于1990年在瑞典研制的，于同年2月在 STEIM初试啼声。他最初的想法是希望能够仅通过在空中移动手臂来演奏音乐，而重要的是制造出一个演奏者能在台上同时充当作曲家和指挥家，而又不接触任何电线或装置的环境。这一系统可使演奏家实时控制一些参数如速度/动态对比（Dynamic）、节奏、发音（Articulation）等等。这些主要是通过Max实现的。
而乐队的记谱作品最初由瑞典STIM出版社发行，至今已发行七十多张黑胶及 CD 唱片，发行厂牌包括瑞典Radium、Anckarstrom、Topyscan；美国RRRecords、Placebo、Tigerbeat6、 Silent；英国Touch OR、Ash；荷兰Staalplaat；日本Digital Narciss；加拿大Alien8；法国Sonoris；奥地利Mego；德国Tochnit Aleph，及希腊Apo Mikhanis 等唱片公司。
卡科夫斯基亦曾在世界各大音乐学院举办讲座、演讲，包括：美国史丹佛大学、西北大学、日本大阪艺术大学、日本国立音乐院、日本庆应大学、日本国际媒体科技艺术学院、荷兰皇家音乐院、德国达姆许达音乐营、波兰克拉考音乐院、美国芝加哥艺术学院、悉尼新南威尔斯大学。更于96年4月，在悉尼市依凡窦尔提艺廊举行为期一个月之个人声音艺术回顾展。
进入90年代后期，卡科夫斯基除了继续着Sensorband的创作和参加世界各地的音乐节之外，也与各国实验音乐家及工业音乐家广泛合作，包括The Hafler Trio、Blixa Bargeld、秋田原美（Merzbow）、Stelarc、Kasper.T.Toeplitz、John Duncan、Aube（中岛昭文）、古馆彻夫（Tetsuo Furudate）、CCCC、岸野一之、Peter Rehberg、Francisco Lopez、Ulf Bilting、Xopher Davidson等。其中日本是他近年较专注的创作基地。他与中岛昭文（Aube）合作的专辑“Mutation”，专辑收录了两人1998年在STEIM录音室的牵头下利用采样机和电脑举行的一场现场演出实况。而另外一个值得留意的计划是他与噪音天王秋田原美（aka Merzbow）组成的Mazk。乐队虽然产量不多，但凭着独特的音乐风格在日本众多噪音乐队中得以脱颖而出，成为倍受瞩目的一队。继首张专辑“SPL”后，再由香港独立唱片公司Noisa Asia出版乐队第二张专辑“不味苦”，专辑收录的是二人99年在法国里昂的Pezner Club的现场录音。音乐风格混合了高压迫感的暴虐式噪音和大量高频电子噪音以及贯穿音乐始终的金属撞击巨响节拍。乐队自成立至今已参加过欧洲多个音乐节的演出。
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Zbigniew Karkowski Bio
Zbigniew Karkowski. Bio
Born 1958 in Cracow, Poland. Started playing flute and piano at the age of eight and afterwards studied music at the Frederik Chopin’s Music Lyceum in Cracow. After moving to Sweden in 1979 he has been involved in early 80s within the group of artists around Radium label in Gothenburg and from 1985 studied composition with Mikael Edlund, Bo Holten, Lars Johan Werle and Åke Parmerud at the State College of Music in Gothenburg, Sweden. Studied also aesthetics of modern music at the Department of Musicology, University of Gothenburg and computer music at the Chalmers University of Technology. After moving to Netherlands in 1990 he has studied sonology with among others Klarenz Barlow, Joel Ryan, Konrad Boehmer, Stan Templaars and Paul Berg at the Royal Conservatory of Music in Den Haag. He has also attended many summer master courses arranged by Centre Acanthes in Avignon and Aix-en-Provence, France, where he studied for among others Olivier Messiaen, Pierre Boulez, Iannis Xenakis and Georges Aperghis. He works actively as a composer of both instrumental music – has written among others two pieces for large orchestra, both performed by Gothenburg Symphony Orchestra, several chamber music pieces which were performed by professional ensembles in Sweden, Poland, Holland, Germany, Spain, France New Zealand and Japan and many electroacoustic media compositions. Between 1986-89 he has actively worked as a composer in the computer music studios at Chalmers University of Technology in Gothenburg and EMS (Electroacoustic Music Studio) in Stockholm. Between 1990-93 while he lived in Amsterdam he was closely associated with STEIM (Studio Elektro-Instrumentale Muziek) where he worked with development of interactive gesture sensing instruments and Electronic Music Studios at Sweelinck Conservatorium in Amsterdam where he composed electronic tape pieces. In 1994 he lived in Berlin where he worked as an artist in residence in Tacheles Kunsthaus developing several projects with experimental Berlin artists like Blixa Bargeld and Elektronauten. Since 1995 he is based in Tokyo, Japan where he collaborates closely with japanese avantgarde scene. He has extensively toured in Europe, Asia, North America, South America and Australia and his music has been performed at several festivals – among them: ”Music und Dokumenta”-Kassel 87, ”Internationale Feriekurse für Neue Musik”-Darmstadt in both 1988 and 1992, ”International Computer Music Conference”-Cologne 88 and Berlin 2000, ”Töne und Gegentöne”-Vienna 89, ”SISEA”-Groningen 90, ”AVE”-Arnheim 90, ”Ars Electronica”-Linz 91 qne 99, “Skinnskattebergs Electroacoustic Music Festival”-Sweden 91, ”NEMO”-Århus 92, ”Stockholm Electroacoustic Music Festival”-Stockholm 92, ”Digital Interact”,”We Never Sleep”, “Le SonImage”-all in Berlin 93, ”WRO “- Sound Basis Visual Art Festival”-Wroclaw 93, ”Under Spaghetti Junction”-Birmingham 93, ”Le Monde Virtuell”-Paris 93, ”IRRTON”-Berlin 94, ”Sonick Acts”-Amsterdam 94, ”Music Poetry Force”-Berlin 94 , ”DEAF” = Dutch Electronic Arts Festival”-Rotterdam both in 94 and 96, ”VISAS”-Maubeuge 96, ”EXIT” – Creteil 96, ”Digital Aesthetic-One” – Sydney 96, ”Sonderangebot” – Berlin 96, ”La Parallaxe” – Quebec Ville 96 , “SAT” – Montreal – 96, ”Audio Art Festival” – Cracow 96, ”Festival Atlantico” – Lisbon 97 , ”SONAR” – Barcelona 1997 and 2002, ‘FNCM” – Montreal 97 and 2001, ‘Steirischer Herbst” – Graz 97, “IMPACT” – Utrecht 98, “Nursery Injection Festival” – Stockholm 98, “Meltdown Festival curated by John Peel” – London 98, “ICMF – International Computer Music Festival” – Kobe 98, Art Futura Festival – Madrid 98, “FBI – Festival Beyond Innocence” – Kobe 98, “Nature is Perverse” – Stockholm 98, “Mego@ICC” Tokyo 1999, “Electrofolie” – Dijon 1999, “38eme Rugissants” – Grenoble 2000, “Observatori” – Valencia 2000 and 2003, “LEM” – Barcelona 2000 and 2004, “Metronom” – Barcelona, 2001, “GAS” – Gothenburg , 2001, “ATM” (San Francisco SF Moma, Chico Polytechnics, San Luis Obispo and LA) -2002, “Frequenzen” – Schirm Museum Frankfurt/Main, 2002, “Risonanze” – Venice 2002 and 2003, “Electrograph” – Athens, 2002, “TEAP” – Taipei 2002, “Argos” – Bruxelles 2003, “Sonicity” – Roma 2003, “First Electronic Music Festival” – Beijing 2003, “Radar Festival” – Mexico City, 2004 “Realidadvisual festival” -Lima, Peru 2004, “Nuit Blanche” – Paris 2004, “Weatherbrain festival” – Taipei, Taiwan 2004, “Underground Film and Music festival” – Lausanne, Switzerland 2005, “Dis_positionen festival” – Berlin, Germany 2005.
He has also given workshops and lectures at among others ‘Stanford University’ Palo Alto , ‘Northwestern University’ Evanston, ‘Chicago Art Institute’, ‘UCSB ‘- Santa Barbara =USA. ‘Osaka University of Arts’, Kunitachi College of Music Tokyo, IAMAS ‘International Academy of Media Art and Science’ Gifu and CCA (Center for Contemporary Arts) – Kitakyushu = Japan. ‘Royal Conservatory’ in Den Haag, Holland, Darmstadt courses in both 98 and 92, ‘University of New South Wales’ Sydney, ‘Music Academy’ Cracow, ‘L’ecole d’art superieure’ – Geneve, ‘Taipei Institute of Technology’ Taipei, Taiwan, ‘Xinghai Conservatory’ – Guangzhou, China, ‘Centro Nacional de las Artes’ – Mexico City. In April 96 he had 1 month retrospective exhibition of his ‘audio art’ work at Ivan Dougherty Gallery in Sydney. Besides working as a composer of contemporary music he has been collaborating with several experimental groups and artists like: The Hafler Trio, Blixa Bargeld, Merzbow, Stelarc, John Duncan, Aube, Tetsuo Furudate, CCCC, KK Null, Antimatter, Francisco Lopez, Kasper T. Toeplitz, Peter Rehberg, Li Chin Sung and has worked on remixing artists and bands like Iannis Xenakis, Clock DVA, Phauss, Jazzkammer, Florian Hecker, TV Pow, Rechenzentrum, Fred Bigot, Fear of God, Nosei Sakata and The New Blockaders. Between 1993 and 2002 he was a member of internationally aclaimed ‘music/technology’ group SENSORBAND with which he often performed network concerts via ISDN or internet (see.www.sensorband.com). He also composed 2 radio specific compositions (comissions from Ateliers de Creation Radiophonique – Maison de Radio France Paris and Radio Copernicus – Universitet der Kunste Berlin). He has as well written music for film, video, theatre and dance. His scores are published and distributet by STIM in Sweden and until today he has released more then 100 cd’s by labels all over the World.
He is conviced that it is a responsibility of an artist in in the present day to travel and work around the World in order to learn and understand different cultures and traditions and discover truth about ourselves and our planet. He also strongly believes that geographical, political and social exile is a necessary condition for true and honest creation. He is not interested in the traditional definition of music, in his opinion, all musical theory and systems as cultural concepts must be destroyed. In his latest work, his main concern is to realize drama with sound – electronic and acoustic walls with the architectures of ruins transcribed in the scores.
Zbigniew Karkowski Selected Discography:
Between 1983-1993
‘Gothenburg 84′ (compilation) – Radium Records – Sweden
‘Gothenburg 86′ (compilation) – Radium Records – Sweden
‘Drakron’ – Pitt – Radium Records – Sweden
‘Before we came to this religion’-Texas Instruments – Radium Records – Sweden
‘Bad Bye Engine’ (with Ulf Bilting) – Radium Records – Sweden
‘Leaving the 20th Century’ -Mental Hackers- Radium Records – Sweden
‘This Infernal Love of Life’ (compilation) – TOPYSCAN records – Sweden
‘Audiodrome’ (with Phauss) – Radium Records – Sweden
‘Uexkull’ – Anckaström records – Sweden
‘River in Flames’ (with John Duncan) – Anckaström records – Sweden
‘Send’ (with John Duncan) – Touch – UK
Phauss/Karkowski/Bilting – Silent – USA
Dry Lungs 2 (with CM.von Hausswolff) – compilation – Placebo Records- USA
‘TESTAMENT’ (compilation) – RRR records – USA
‘Polar Regions’ (with Cosmic Trigger) – Silent – USA
‘Mastery of Money’ (with Hafler Trio) – Touch – UK
‘Kill the King’ (with Hafler Trio) – Touch – UK
‘Masturbatorium’ (with Hafler Trio) – Touch – UK
‘Fuck’ (with Hafler Trio) – Touch – UK
‘Apo Mikhanis’ (with Hafler Trio) – Apo Mikhanis records- Greece
‘Ressurection’ (with Hafler Trio and Sons of God) – Touch – UK
‘Bitstream’ (Clock DVA remixed) – with Andrew McKenzie – Contempo – Italy
‘Four ways of saying five’ (with Hafler Trio) – Grey area MUTE records- UK
1994
‘Anckaström’ (compilation) – Staalplaat – Netherlands
1995
‘Antiphony’ (with Eric Lyon) – compilation – Ash – UK
1996
‘Sonderangebot’ (with Eric Lyon) – compilation – Staalplaat – Netherlands
1998
‘World As Will’ (with Tetsuo Furudate) – Staalplaat – Netherlands
‘The Elgaland-Vargaland National Anthem’ (with John Duncan) – Die Stadt- Germany
‘SPL’ with MAZK (Masami Akita + Zbigniew Karkowski) – OR – UK
1999
‘Disruptor’ (with Helmut Schaefer) – OR- UK
‘Or some computer music’ (with Le Depeupleur) -compilation- Or- UK
‘END ID’ (with Helmut Schaefer) -compilation – Digital Narcis – Japan
‘Datastream’ (with Edwin Van Der Heide) – Or – UK
‘Computer Music Journal Sound Anthology’ Volume 22 (with Sensorband) – USA
‘Coalescence’ (with Sensorband) – compilation – Alien 8 records -Canada
‘Voltage’ (with Edwin Van Der Heide) – Bake – Netherlands
2000
‘Mutation’ (with Aube) – E.R.S records – Netherlands
‘Area/Pulse’ (with Sensorband) – Sonoris – France
‘Traceroute’ (with Sensorband and Ulf Bilting) – Ash R.I.P – UK
‘Nature Is Perverse’ (compilation) – Fylkingen Records -Sweden.
‘[R*] iso|chall’ (Hecker remixed) – Mego – Austria
‘Meltdown of Control’ (with Senssurround orchestra) – Mort Aux Vaches – Staalplaat – Netherlands
‘It’ – Mego – Austria
Erratum 3 (compilation) -Erratum revue sonore- France
‘Reverse Direction And Let The Sound Reach Out To You’ – Fireworks Edition records – Sweden
‘Le Deupeupleur’ (with Kasper T.Toeplitz) – CFET – CrossFade EnterTainment – Germany
‘Error..’ (with Digital Primate) – CSM records – USA
‘falsch 01′ – (compilation) -falsch- Austria http://fals.ch
‘Erase Your Data’ – (compilation) – Namseiko/Heioka records – Switzerland
‘Choice of Points for The Application of Force’ – Ytterbium records – France
‘Observatori 2000′ (compilation) – Subterfuge records – Spain
‘Lockers’ (compilation) – E.R.S records – Netherlands
Leonardo Journal of Music vol 9 cd (with Sensorband) – USA
2001
Computer Music Journal vol 24 cd (compilation) – USA
‘State Of The Union’ (compilation) – Electronic Music Foundation – USA
‘International Compilation vol 2′ – Alienation – Japan
‘Whint’ (with Francisco Lopez) – Absolute/Touch – UK
‘MAZK’ (with Masami Akita) – tigerbeat6 – USA
‘POP’ (with Peter Rehberg) – Tochnit Aleph – Germany
‘klr’ (split Peter Rehberg, Francisco Lopez, Zbigniew Karkowski) – ar.ms – Japan
‘Generator archives’ – Generator – USA
Denshi Zatsuon vol 6 cd (compilation) – Japan
‘Rolex” Jazzkammer remix (compilation) – Smalltown Supersound- Norway
‘Mazk’ (with Masami Akita) – Sonic Factory – Noise Asia – Hong Kong
‘no title – Alienation – Japan
‘Function Generator’ (with Antimatter) – Sirr – Portugal
“Swedish SoundArts” (book and double cd compilation) – Swedish Music Information Center.
‘Ringtones’ (compilation) – Touch-UK
2002
‘International Compilation vol 3″ (with Le Depeupleur) – Alienation – Japan
‘World as Will II’ (with Tetsuo Furudate) – 23Five – USA
‘Inflation’ (*0 0.000 remix compilation) – mu label – Japan
‘Zeitkratzer plays noise’ (split Masami Akita, Zbigniew Karkowski, Dror Feiler) – Tourette, Germany
‘falsch 02′-(compilation) -falsch- Austria http://fals.ch
‘Consciously Unconscious Unconsciously Conscious’ – Metamkine, France
‘Persepolis remixes Edition 1′ (compilation) – Asphodel, USA
‘2 ZBG-TTO’ (with Tito Diaz) – Eozoön Editions, Spain
Suffer Enjoy (compilation) – Antifrost, Greece
2003
Computer Music Journal vol 26 cd (compilation)
‘ElectroStatics’ – Post-Concrete , USA
‘It’s a Or’ (compilation- with Mazk) – OR , UK
‘DiscO DiscO’ (compilation) – Absinth Records , Poland
‘Zenial reworked’ (Zenial remix) – vivo , Poland
‘Substantials #01′ (book and compilation cd) – CCA Kitakyushu, Japan
‘Work Hard Play Harder’ (Pop with Peter Rehberg) – Absurd, Greece
‘turnoff’ (split with Francisco Lopez) – NoiseAsia, Hong-Kong
2004
‘Alt+F4′ – (compilation) – Salvia, Poland
‘attuning/attending’ – Musica Genera, Poland
‘ENCYKLOPEDIA-RW’ (ilios reworked compilation) – Antifrost, Spain
‘The end of the Fear of God’ (remix compilation ) – Tochnit Aleph, Germany
‘one hour as’ (compilation) – ResonanceFM, UK
Erratum 4 (compilation) – with Le Depeupleur – Erratum revue sonore, France
b!as 2003 (compilation) – soundtrack for video by Atsuko Nojiri – Sound Art Collective of Taiwan
Metronom Exposicions 2000-2001 (DVD collection) – Fundacion Rafael Tous d’Art Contemporani Metronom, Spain
‘re:bird’ (the electronicat remixes) – angelika köhlermann, Austria
‘Intensifier’ – walnutlocust, France
‘an anthology of noise and electronic music vol3′ (compilation)- SubRosa, Belgium
‘2X5′ (compilation) – Licht-ung, Germany
‘KHz’ (with Antimatter) – auscultare research/groundfault recordings, USA
2005
‘Equilibratura Elettronika’ (DVD with Mazk and Ogino Knauss) – AfV, Italy
‘One and Many’ – SubRosa, Belgium
‘Magical Crystal Blah vol 2′ (John Wiese remixed – compilation) – Helicopter, USA
‘ In real time ‘ – Mazk (Masami Akita and Zbigniew Karkowski) – Ytterbium 07 – France
‘Experiences de Vol 4-5-6′ – Mousiques Nouvelles ensemble and Art Zoyd – Im-possible records – France.
Revenge of Ying and Yang (with Li Chin Sung) – NoiseAsia – Hong Kong
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Dickson Dee bio
Dickson Dee (aka Li Chin Sung, Dj Dee, PNF) is a Hong Kong experimental music artist with a wide range of creative styles such as industrial noise, experimental electronic, avantgarde, cut n’paste, new classical etc. His debut solo album “PAST” was released under Tzadik label (USA), which is a collection of his works from 1992 to 1996. He has a great deal of experiences playing live shows mostly in China,Europe and Japan for the past years. Artists he performs with including Thomas Fehlmann, Zbigniew Karkowski, Otomo Yoshihide, Sainkho Namtchylak, Maja Ratkje,Sachiko M,Werner Dafeldecker, Patrick Pulsinger,Cdrk, Zhang Chu,Wang Fan,Tujiko Noriko, Tetsuo Furadate,Yoshida Tatsuya, Keiji Haino,Adichi Tomomi, Astro, etc. In addition, He is a producer participating in the album production of artists from different countries such as Otomo Yoshihide, Zbigniew Karkowski, Ruins, Haino Keiji, Yoshida Tatsuya, Makigami Koichi,Kang Taehwan etc. Last but not the least, he is also a concert organizer bringing artists to perform in China.
Discography
Li Chin Sung
1996 Past – Tzadik
2004 San Yuan Li Soundtrack – Dicksonia Audio
2005 The revenge of Ying and Yang with Zbigniew Karkowski – Noise Asia
DJ Dee
2003 Sunday – Dicksonia Audio
PNF
1995 PNF-I – Dicksonia Audio
1997 PNF-2 – Dicksonia Audio
2005 PNF+TN -Shasha Records
ZENDEE
2005 ZENDEE- Live in Lublin -AudioTong
Compilation
1992 Malimalihung – Sound Factory
1995 Ommanipadmehum – Sound Factory
1995 Tribute to Derek Jarman – Blue – Somnus
1997 Soundtracks for bride of sevenless -Auscultare
1997 Ground Zero – Conflagration remix – Sank-ohso / Creativeman
1999 Turntable Solos -Amoebic
2003 Landscape -Landscape Music
2003 Silent agreement – Silentagreement
2005 The sound of silence project -Reconfiguration Records
Performance
EUROPE (under the name “Li Chin Sung”)
2002 November – “urban + aboriginal xv : china” at podewil, Berlin
2004 January – “generator – singing dragons” at Vienna Concert Hall
2004 June – ausland, Berlin
2004 June – Poland 5 city Tour – Krakow, Warsaw, Lublin, Boznan, Gdansk
CHINA and ASIA Tour
PNF
1992 March -Hong Kong (with I666)
1992 July -Hong Kong (with Otomo Yoshihide)
1995 September -Taipei( underground music festival )
2004 October -Shanghai (with TN,Wang Fan)
Li Chin Sung
1997 October -Guangzhou solo concert with guest Wang Lei, Moz
1998 October -Guangzhou, Beijing (with Otomo Yoshihide + Sachiko M)
2002 October -Guangzhou, Macau (Li Chin Sung Mongolian Trio )
2002 July -Shanghai, Guangzhou (with Sachiko M)
2004 October -Shanghai, Shenzhen (with Sainkho Namtchylak)
2005 May -Guangzhou (with Cdrk, Guangzhou Modern Dance)
2005June -Guangzhou (with Guangdong Modern Dance Company,Izumi Nikaido,Michael)
2005 June -Guangzhou ( with Lawrence English,GZ Modern Dance)
2005 July -Beijing (with Zhang Chu)
2005July -Guangzhou (with Zbigniew Karkowski, Modern Dance Company)
2005 July -Guangzhou (with Zbignbiew Karkowski, Justin, Zhang Chu)
2005 Aug – Korea Folk and Modern Festival
2005 Aug -Macau concert (with Tujiko Noriko, summer sweat music show)
2005 Dec -Japan Musashino Art University( with Zbigniew Karkowski- lecture & concert)
2005 Dec -Japan Yokohama Stomy Monday (with Tatsya Yoshida,Astro,Tetsuo Furudate,Tomoi Adachi,Zbigniew Karkwoski)
2005 Dec -Japan Tokyo Forth Floor (with Zbigniew Karkowski,Tetsuo Furudate,Tomoi Adadchi)
2005 Dec -China Guilin ( Guilin Rock Festival)
DJ Dee
2003 August -Taiwan tour (4 concerts with trumpet + dulcimer)
2003 October -Taiwan (Weather In My Brain Festival)
2003 November -Guangzhou, Shanghai, Macau (with Zbigniew Karkowski)
2004 February -Wuhan, Guangzhou (with Thomas Fehlmann)
2004 May -Hong Kong solo in Mackie bookstore
2004 October -Taiwan (Weather In My Brain Festival, Otomo, Haino,Zbigniew)
2004 October – Shanghai
2004 November -Shanghai, Shenzhen (with Patrick Pulsinger + Werner Dafeldecker)
2005 March -Mutek in Shenzhen
2005 March -Guangzhou (with Maja, Guangzhou Modern Dance)
2005 May -Shenzhen (Cdrk, Zenlu)
2005 August -Guangzhou(with Zenial,Electronicat,Matthias)
Dickson Dee
2005 Sep – Shinjuku PIT INN (with Hong Chulki, Choi Joonyong, Ryu Hankil, Jin Sangtae, Jo Foster, Yukie Sato,I.S.O./ONJO special version with Yoshimitsu Ichiraku, Sachiko M, Masahiko Okura, Kenta Tsugami,Taisei Aoki, Hiroaki Mizutani, Kumiko Takara,Yasuhiro Yoshigaki, Taku Hannoda, Atsuhiro Ito, and Toshimaru Nakamura..)
2005 Sept – Yokohama 2005 International Triennale of Contemporary Art opening party( Dee solo with San Yuen Li film, with Reiko A {dance}, Inryo Fuen, Nakano Kei {visual})
2005 Dec -Kitakyushu sound wrokshop (with Keiji Haino)
2005 Dec -Yokohama 2005 International Triennale of Contemporary Art ending party( Dee solo + trio set with Makigami Koichi,Kang Taehwan)
Project
Wu Wei + Li Chin Sung Duo
The duo is formed by Wu Wei, a Chinese musician residing in Germany, and Li Chin Sung, an experimental music artist in Hong Kong. The duo intents on adopting the thoughts of oriental traditional music and the techniques of western contemporary music; thus bringing out the chemistry of the two combination. In the duo, Wu plays sheng, lu sheng, er-hu, Mongolian matouqin, also performs voice and throat singings. On the other hand, Li makes use of the laptop to make immediate sampling from the elements gathered from Wu’s performances and sounds, then shift it for loop-play; furthermore, Li manipulates the turntable and computer creating experimental electronic sound to enrich the sound tones. The two met in The Vienna Music Festival and was deeply-impressed by each other’s distinguishing music features, thus came up with the duo project. At present, the two conceives of creating an album which integrates the oriental traditional instruments, western pioneer improvisation, and micro experimental electronic sound.
Wu Wei, a Chinese musician residing in Germany, was born in 1970 in Jiang Su province. He started to learn er-hu when he was five. In fifteen, he took a course to learn sheng performance in Nanjing Arts Institute. From 89 to 93, he was studying for his doctor degree of sheng in Shanghai Conservatory of Music. He earned his reputation locally and internationally by performing this ancient Chinese instrument. In 1993, he joined the world famous Shanghai Chinese Music Symphony Orchestra. His performances were included in numerous albums. With his tours around China, Japan and Europe, his music was known to many people. The tour experiences opened his ears and broadened his knowledge in learning about a bigger world aside from the Chinese traditional music. His cooperation projects with several European musicians in Shanghai prompted his deep interest in jazz and contemporary new music. In 1995, he entered Hans Eisler Higher Music School in Berlin. With the sponsorship of the artist scholarship, he broadened his music vision by learning the western traditional jazz and working with artists from different regions and with different music styles.?During the years in Berlin, he obtained several artist scholarships and had been awarded Musica Vitale ?????????????Musica Vitale??
Over the years of his music career, Wu has cooperated and performed with numerous renowned Chinese musicians and folk singers including Wu Man, Xu Feng Xia, Wu Ren Na etc. He also participated in many international symphony orchestras, playing sheng and other Chinese traditional instruments. In addition, he attended a great deal of music festivals around the world. In the process, he made a lot of efforts to develop new sound language for the Chinese traditional instruments and opened a new direction. From 1998 to 2003, he had performed over thirty compositions of contemporary composers such as John Cage, Enjott Schneider, Helmut Zapf etc. Using the Chinese traditional music as the fountain, Wu adopted the new techniques of jazz and contemporary music to experiment on the Chinese instruments that has 3000 years of history, intending to discover the possible sounds hidden among them. He found a new entrance for the Chinese traditional instruments in the global environment of contemporary music. His duo with Hong Kong experimental music artist, Li Chin Sung, is a new approach to experimental electronic music and pioneer cut n’ paste technique.
Dickson Dee (aka Li Chin Sung, DJ Dee, PNF), an experimental music artist and producer in Hong Kong, was born in January 1969 in Putian, Fujian Province and immigrated to Hong Kong at his early childhood. He has a wide range of creative styles including industrial noise, experimental electronic, avant garde, cut ‘n’ paste etc.
Dickson started his music production in early 90s. In 1992, he released his debut album under his alias PNF. In 1996, he released his first solo album “PAST” under the name Li Chin Sung in Tzadik (USA), a label set up by John Zorn, the renowned American pioneer musician. The album was a collection of his works from 1992 to 1996. It was then rated by , the popular experimental music magazine in UK, as the fifth album of the 20 most significant album chart in 1996.
Between 1998 and 1999, Dickson was invited to participate in the music production of Chinese big opera “Oomolangma song & dance opera”. He went to Tibet several times for sampling. With the support of the local government, he successfully obtained a great deal of primitive sound materials of Tibetan and Lamaism music. In 2000, he was invited to Ulan Bator, the capital of Mongolia, to have cultural exchange with The National Traditional Folk Music Dance Troupe and Mongolia Arts Center. Thus inspired the formation of Li Chin Sung Trio. The music features of Tibet and Mongolia led Dickson into the realm of world music and became one of his important developing directions.
Dickson is also a producer participating in the album production of rock and roll/ experimental music artists from China, Taiwan, Hong Kong, Japan, US and Europe. Among them are Otomo Yoshihide, Sachiko M, Ruins, Haino Keiji, AMK, Tats Lau, NO, Dili, Jon Rose, Peril etc. Furthermore, he is conducting a music research on Tibetan music with Tibetan music scholar, ????, hoping to make a documentation on the original features of Tibet with the help of music, writing, photograph, and video.
Dickson’s latest album, “San Yuan Li”, is a soundtrack to the documentary film which is the first soundtrack album to be released under his alias Li Chin Sung. His duo project with Wu Wei is a new challenge of combining experimental electronic music with Chinese traditional instruments.
Li Chin Sung Mongolian Trio
Inspired by the first Tibet collaboration, Dickson was again invited to Mongolia in 2001 to work with the local artists under the same condition. The trip was highly regarded by the Mongolian government. Besides obtaining a large number of Mongolian music sound materials, he also went farther into the Mongolian countryside twice to gather folk music materials. In addition, he also collaborated with The National Traditional Folk Music Dance Troupe of Mongolia. In the 2 months of working together, Dickson
gradually attained a mutual understanding with Mongolian renowned artists including the prima morinhuur of the Troupe, M.Burged Baatar, and the prima throat singer also the head of The Mongolian Throat Song Union, Zulsar Z. They developed a new idea of combining improvisation,electronic music and turntable cut ‘n’ paste technique with morinhuur and throat singing.
In November 2001, Dickson returned to Hong Kong and started to arrange the music materials he collected from Mongolia. He hoped to produce new music by adopting improvisation technique in blending the sampling from the Mongolian Traditional Folk Music with experimental/electronic music. Part of the work has been completed now, and would be released under the name Li Chin Sung. Furthermore, he remains in good contact with the two Mongolian artists, and formed Li Chin Sung Trio with Zulsar Z & M.Burged Baatar, hoping to adopt LIVE performance style in completing the new approach of mixing Mongolian folk music experimental/electronic music. In between August and September of 2002, Dickson revisited Mongolia. In October, Li Chin Sung Trio toured around Mainland China, Taiwan, and Macau.
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zbigniew karkowski + li chin sung China tour 2006
18th – Feb HK @ Para/Site – with guest musician O-Men, PNF, I666
23rd – Feb workshop @ Sichuen Conservatory
24th – Feb Little Bar @ Chengdu –with guest musicans Bai Tian, Bai Xiaomo
25th – Feb OCAT (OCT Contemporary Art Terminal)@Shenzhen – with guest musican Zenlu, Huang Jian
3rd – Mar Shanghai @ Shanghai Zendai Museum Of Modern Art – with guest musicians – video art (Atsuko Nojiri), Torturing Nurse, Xu Cheng, Aitar, Guy Marc Hinant (Subrosa sound system + film + workshop)
4th – Mar Shanghai @ DDM warehouse – with guest musicians – video art – Atsuko Nojiri, Torturing Nurse, Xu Cheng, Aitar, Guy Marc Hinant (Subrosa sound system + film + workshop)
5th – Mar Shanghai Workshop @ Zendai moma
6th – Mar Beijing – lecture @ Central Conservatory
7th – Mar Beijing – day time lecture @ Central Conservatory
night time @ waterland kwanyin – wang fan, kwanyin soundsystem (related artists of kwanyin label such as yan jun, wang fan, fm3, 718 and more), dj ok (yan jun + christiaan + zhang jian)
8th – Mar Beijing@South gate – with guest musician -
tie guan yin (yan jun + christiaan + wu quan + zhang jian), Guy Marc Hinant (subrosa sound system + film)
明天水陆观音加演
Monday, February 20th, 2006孙志强导演的剧情片《大保健》、谢天笑主演的“动作短片”《愚人节》。
《大保健》
住在城市边缘的同同想在生日当夜解决自己处男之身，与此同时，豆芽也正因欲火焚身而辗转反侧。哥们儿章进打算带同同去洗浴中心找个小姐来体验人生第一次，遇见了同样深夜洗头寻求发泄的豆芽。而章进带着越来越饥渴的同同连续洗了十几次头都没能实现“成为一个男人”的最后体验，情急之下他们找到了熟门熟路的黑车司机阿杰……同同能否顺利解决自己的初夜？而他的妹妹，19岁的曼曼能否成为一个朋克乐队的吉他手？为躲避追杀而逃来的点五会把她的梦做多久？也许在精疲力竭的早上，这一切都显得不再重要，命运里充满哑谜和变数，而你以为最需要的，有时候可能正是你最不需要的。生活还在继续，但总有一天，你会以最意想不到的方式和自己青春期说再见……
《自由的边缘》导演孙志强首次执导的独立影片，剧情改编自真实的故事，而表演和画面都被还原到了最不加粉饰的原初状态。
孙志强简介
自97年从新疆来到北京以来，孙志强一直没有间断过对北京摇滚乐队和边缘艺术青年生活的观察与拍摄，他采取了最为贴近和独特的视角来默默捕捉文化动荡大时代中，中国这一代注定将改变未来文化走向的青年运动潜流。他曾经被乐评人颜峻称为中国的最接近“尼尔·卡萨迪”的人物，而经过8年不间断的实践和拍摄，孙志强已经成为今日中国“青年文化运动”题材方面最有发言权的记录片导演。他抛开学院派的手法，主张把记录片还原到生活中最平淡和真实、从容的面貌，屏除任何所谓煽情的人为努力，并通过拍摄者与被拍摄的更直接的面对面式的互动来增强记录力度。除了曾经使他广受关注与争议的《自由的边缘》之外，近年来孙志强的多部作品在各大电视台播映并受到《中国新闻周刊》等主流媒体的广泛关注。2006年，他执导了自己的第一部独立电影《大保健》，该片即将送展并发行。
作品：
(1) 《自由的边缘》88分钟 （2000年）纪录片
(2) 《2000，1，8忙蜂》60分钟（2000年）纪录片
(3) 《舌头，油漆匠上海至沈阳》〉60分钟（2000）行为演出现场
(4) 《什么最重要》记录片10`30” (2002年香港凤凰卫视中文台 “DV 新世代最佳剪辑奖”)
(5) 《自由的边缘之见证》 110分钟 （2002年）纪录片
(6) 《2002北京迷笛现代音乐节》影片制作人
(7) 《2002丽江雪山音乐节》纪录片 ─ 总导演
(8) 《2003北京迷笛现代音乐节》纪录片─ 总导演
(9) 《五音大鼓》纪录片 (2004年)─摄影
（10）《婚事》记录片（2004）年 摄影
（11）《贺兰山音乐节》 (2004年) 纪录片 导演
（12）《演员曹操》60分钟 纪录片（2005） 导演
（13）《大保健》60分钟 故事片（2005） 导演
（14）《一日斜街》120分钟 故事片（2005）导演/主演
水陆观音第三十六期
Friday, February 17th, 2006勇敢的孩子们，老头老太太们，加油。
2月21日星期二，晚9点30分
1，[)l337（声音+影像）
2，姚斌（声音+影像）
地址：燕莎以东1500米，汽车电影院，两个好朋友酒吧。
电话：81964820/13552276845
waterland kwanyin #36
february 21st, tuesday, 9:30pm
1, [)l337 (sound + visual)
2, Yao Bin (sound + visual)
venue: 2 kolegas bar, qi che dian ying yuan (drive in movie theater, dong feng road, east of liang ma qiao)
number: 81964820
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[)l337的发音是“delete”。成员包括Frank和Neema。
Frank上一次出现在水陆观音，是以A Train Wreck for My Comrades的成员身份参加了第21期的演出。作为程序管理员，他为微软MSRA的高级技术中心工作。在居住北京之前，他在新加坡为XBOX（游戏机）做商务经理。他出生于马尼拉，在美国长大。他在Rutgers学院获得学士学位，在约翰·肯尼迪学院获得公共政策硕士学位。在进入电视游戏、互动软件和新设备开发的领域之前，他曾经参军，曾经在苏联做记者，曾经做过资产分析。
他的业余爱好是摄影、自行车和学习原始文明中的人类祭祀仪式。
Neema在微软亚洲研发中心进行互动设计研究。他的研究重点是：针对新市场的设计技术；减轻所有市场的信息过载。
他在马里兰大学学习计算机科学（B、S），在卡内基梅隆大学学习人机互动（M, H, C, and I）。
他拥有美国和伊朗的双重出生证明，以及超过20个国家的签证印章。他还拥有潜水资格证书、内观冥想学员卡、微软员工徽章、马里兰州驾照以及来自父母的25张生日贺卡。
[)l337 (pronounced delete, sort of aninside joke)
this is a duo consists of Frank Yu and Neema.
Frank (sampler and distorter) was appeared at Waterland Kwanyin as member of A Train Wreck for My Comrades.
http://research.microsoft.com/users/i-franky/
Neema (Human Beat Box and rapper) aka Nema Moravaji.
http://research.microsoft.com/users/neemam/
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姚斌
中国西安市出生。
95年东渡日本，以后在日本各地多次发表作品。
最近使用互动电子媒体网络在线方式制作远距离空间的精神性物理接触的作品。
现在居住，北京担任（北京立方艺术中心/11-ART.COM）代表
http://11-art.com/artist/yaobin.htm
Yao Bin
Born in Xi-an, China
Went to Japan in 1995, and has exhibited his works many times whilest there.
the recent works involve the use of online interactive electronic media to create tele -spaial conhguratious at the intersections of the mental and the phsical.
Now lives in Beijing and is a Representer of 11-ART.COM
http://11-art.com/artist/english/yaobin.htm
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水陆观音：
一个有关声音、音乐、艺术和环境的系列交流活动。
每周二晚上，免费入场，室内演出，室外赋闲。
北京第一个和惟一的向实验/即兴音乐家、艺术家开放的交流平台。包容来自不同背景的表演者，鼓励自由即兴和实验探索，力图促成更多的合作，激发表演者和观众的想象力，并混淆他们之间的区别。它延续观音唱片的宗旨——追求精神性的实验音乐和影像，追求表演和环境的沟通统一，探讨、促进新音乐的生态环境。
除了常规演出之外，还提供workshop、影像放映和艺术讲座。
观：可观看的影像、建筑、环境、表情；
音：被感知的声音、音乐、语言、信息。
由观音唱片/Sub Jam主办
曾经出现在水陆观音舞台上的名字：
718、武权、武子以、王凡、颜峻、张荐、丰江舟、小河、柿子、孙玮（THX）、健崔、杨韬、铁观音、背信弃义的双鱼座人、Szkieve、姚斌、八股歌、美之瓜、虎子、欧宁 + 曹斐、Mogauwane Mahloele、老赵、郭龙、李铁桥、曾勇（21g工作组）、Melvin Gibbs、金闪、小四、王长存、fm3、崔健、Huoratron（Aku Raski）、earweego、Jackson Garland、White、Staalplaat Soundsystem、巫娜（暮良文王）、王磊、Nara、iloop、朱剑辉、刘小宁、孬、糖、铁子以、Dead J、DJ OK、ME:MO、SUN dawei、Randomk(e)、DDV（from club moral）、DJ OK、伊力奇（杭盖）、周日升、Eugene Martynec、A Train Wreck for My Comrades、谢天笑、2J、tatsuya nakatani（中谷达也） + audrey chen（陈皓伊）、Frédéric Blin + Aymeric de Tapol、Pink Twins、kristian、NASA、田鹏、守望、沈静（挂在盒子上）、麻沸散、阿米巴、郭大刚（舌头，沐耳）、carlos djanuno dabo、choral & pornostar……
waterland kwanyin
—-sound, music, environment, workshop
kwanyin is name of a popular buddha in china, kwan(guan2) means view, observe, watch, etc. yin(yin1) means music, sound, sonic existence, information, etc.
it’s the only and first open plate for experimental, improvised musicians/artists who live or transiently in beijing. as the idea from kwanyin records, it offers opportunities for artists from different background who now (or in the future) be into free music, i.e. abstract and spiritual sound, field recording mix, noise, as well visual art, body performance, etc.
also combined with film screenning, lecture, workshop and special party.
every tuesday, free entrance.
it’s a kwanyin record/sub jam production
who were played here:
718, wu quan, wu ziyi, wang fan, yan jun, zhang jian, feng jiangzhou, xiao he, shi zi, sun wei(THX), jian cui, yang tao, tie guanyin, Perfidious Pisces, Szkieve, yao bin, 8gg, mei zhi gua, HZ, ou ning + cao fei, Mogauwane Mahloele, christiaan virant, guo long, li tieqiao, zeng yong, zeng yong(21g), Melvin Gibbs, jin shan, sic, wang changcun, fm3, cui jian, Huoratron（Aku Raski）, earweego, Jackson Garland, White, Staalplaat Soundsystem, wu na (from mu liang wen wang), wang lei, Nara, iloop, double fish, liu xiaoning, nao, tang, tie ziyi duo, Dead J, DJ OK,me:mo, SUN dawei, Randomk(e), DDV（from club moral）, yi liqi (from hanggai), zhou risheng, Eugene Martynec, A Train Wreck for My Comrades, Xie Tianxiao, 2J, tatsuya nakatani + audrey chen, Frédéric Blin + Aymeric de Tapol, Pink Twins, kristian, NASA, tian peng, jeff zhang, shen jing (from HOTB), ma fei san, amoeba, guo dagang(from tongue, muer), carlos djanuno dabo, choral & pornostar…
先锋音乐巨人来访
Thursday, February 16th, 2006艾略特·夏普和沈静、守望（Elliott Sharp with Shen Jing and Jeff Zhang）
2月24日星期五，两个好朋友（燕莎以东1500米，汽车电影院内，81964820）
february 24th, friday, 2 kolegas bar, qi che dian ying yuan (drive in movie theater, dong feng road, east of liang ma qiao, 81964820)
2月25日星期六，愚公移山（工体北路太平洋停车场内，64150687）
february 25th, saturday, yu gong yi shan (gong ti bei lu, 64150687)
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守望 jeff zhang
car-sick cars乐队吉他手兼主唱，White乐队发起人，2J乐队成员。2006年2月参加纽约地下音乐先驱glenn branca的第13次吉他交响曲录音。
an outstanding figure of the youngest generation of china’s indie music scene. guitarist and vocalist of car-sick cars. founder of the shocked and short-lived all-guitar band white. member of experimental duo 2j. next month he will be attend to the recording session of glenn branca’s 13rd guitar symphony in new york.
http://www.blogcn.com/user13/jeffhardy/index.html
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沈静 shen jing
挂在盒子上乐队鼓手。
drummer of hang on the box.
http://www.blogcn.com/user71/robotshenggy/index.html
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Elliott Sharp b. 1951 Cleveland, Ohio, USA
Composer/producer/sound artist Elliott Sharp leads the groups Orchestra Carbon, Tectonics, and Terraplane and is considered one of the founders of New York’s “Downtown Scene.” Sharp tours extensively throughout the world as a composer-in-residence, as a soloist, with his own projects and ensembles, and as part of arious collaborations performing at festivals, museums, theatres, galleries, and clubs. He has pioneered ways of applying fractal geometry, chaos theory, and biological metaphors to musical composition and interaction. His compositions have been performed by the Symphony of the Hessischer Rundfunk, the Ensemble Modern, Continuum, Kronos Quartet, and Zeitkratzer and collaborators have included qawaali singer Nusrat Fateh Ali Khan, playwright Dael Orlandersmith, cello innovator Frances-Marie Uitti, sci-fi writers Jack Womack and Lucius Shepard; blues legend Hubert Sumlin; jazz greats Sonny Sharrock, Arthur Blythe, Jack deJohnette, and Oliver Lake; turntablists DJ Soulslinger and Christian Marclay; and Bachir Attar, leader of the Master Musicians of Jahjoukah.
His orchestra piece “Calling” was commissioned by the Hessischer Rundfunk to open the 2002 Darmstadt Ferienkurse fur Neue Musik and the CD won the January 2004 German Critics’ Prize. His composition “Quarks Swim Free” was premiered at the Venice Biennale in September 2003 and performed by his group Carbon. Sharp was composer and music director for the Al-Mashreq All-Stars, a collaborative project with Arab and American musicians at the Lincoln Center Summer Festival in July 2002.
Sharp’s most recent CD releases include Quadrature, a collection of solo acoustic guitar compositions; Calling with the Radio-Symphony of Frankfurt; Dispersion of Seeds for string quartet and computer; Terraplane’s Secret Life; and his soundtracks to the films “What Sebastian Dreamt” and “Commune.” He founded zOaR Records in 1978 both for his own productions including the critically-acclaimed compilations Peripheral Vision and State Of The Union and for other radical music.
More about Sharp’s work may be found at www.elliottsharp.com and a complete discography may be found at: http://home.arcor.de/nyds-exp-discogs/index0.htm
Sharp’s latest music-theater work “Binibon” with text by author Jack Womack premiered in August 2005 at NYC’s Howl Festival.
Installations include:
Suspension, a video and audio work in collaboration with video artist Janene Higgins. Opened April 2004 at the Chelsea Art Museum, NYC.
Fluvial, computerized multichannel audiowork commissioned by Engine 27 gallery, June ‘02.
Chromatine, an interactive string sculpture/audiowork created for the Gallery of the School of Museum Of Fine Art, Boston, January 2001.
Cryptid Fragments included in the Bitstreams show at the Whitney Museum, 2001.
Sound design and music for Timetable, interactive installation by Perry Hoberman – July 1999. Won Grand Prize at Tokyo NTT ICC Bienalle, 1999.
Soundtrack for Sequences by sculptor Antoine Laval, Dec. ‘97
Soundtrack for Prey, a video installation by Janene Higgins, May ‘97
Tag, an interactive audiowork for “Departure Lounge” at Clocktower Gallery – Mar ‘97
Distressed Vivaldi, for “Model Home” at Clocktower Gallery – Oct ‘96
Sharp’s work as a curator include:
Curator of Contemporary Music, PS1 Art Center, NYC, 2004.
Curator of Volume:Bed Of Sound for PS1 and Henry Gallery, Seattle – 2000-2001.
1982-2001 Producer of State of the Union, an ongoing collection of one-minute pieces by an international cast of artists and issued as vinyl records and CD’s by a number of labels including zOaR, Arrest, MuWorks, Atavistic, and the Electronic Music Foundation.
1996 The Extended Piano – The First International Disklavier Festival, NYC
http://www.elliottsharp.com
艾略特·夏普，生于1951年，克里夫兰，美国
作曲家、制作人、声音艺术家艾略特·夏普是碳乐团、构造学、气垫车等等乐队的领导，他被认为是纽约下城场景（Downtown Scene）的创建者之一。作为驻地作曲家、独奏者、乐队领导者、艺术节剧场画廊和俱乐部的合作表演者，他已然周游世界。他开创了分形几何、混沌理论和生物学隐喻在音乐作曲和互动中的应用。他的作品曾被黑森州广播交响乐团（Symphony of the Hessischer Rundfunk）、现代乐团（the Ensemble Modern）、连续介质（Continuum）、巨人四重奏（Kronos Quartet）、时间之痕（Zeitkratzer）演奏，他的合作者包括qawaali（14世纪起源于印度的伊斯兰宗教音乐）歌唱家Nusrat Fateh Ali Khan、剧作家Dael Orlandersmith、大提琴革新者Frances-Marie Uitti、科幻作家Jack Womack和Lucius Shepard、布鲁斯传奇人物Hubert Sumlin、爵士大师Sonny Sharrock、Arthur Blythe、Jack deJohnette、Oliver Lake、唱盘演奏家DJ Soulslinger和Christian Marclay、北摩洛哥传统音乐家族“酋酋卡音乐大师”的领导者Bachir Attar……
他的管弦乐作品《召唤》，由黑森州广播交响乐团委托，为达姆施塔特新音乐节开幕创作，赢得了2004年的德国批评家大奖。作品《夸克自由游》由他的碳乐团在2003年威尼斯双年展首演。夏普还是2002年林肯中心夏季音乐节的Al-Mashreq全明星乐团的作曲家和指挥。
夏普的新唱片包括吉他独奏作品集《求平方》（Quadrature）、和法兰克福广播乐团合作的《召唤》（Calling）、为弦乐四重奏和电脑而作的《种子的散播》（Dispersion of Seeds）、气垫车乐队的《秘密生活》（Secret Life）、电影《塞巴斯蒂安梦到了什么》（What Sebastian Dreamt）和《公社》（Commune）的原声唱片。1978年他创建了zOaR唱片厂牌，专门发表他制作的广受好评的合辑《周边视力》（Peripheral Vision）和《联合之国》（State Of The Union）以及其他激进音乐。
夏普最新的音乐剧作品《Binibon》，是和科幻作家Jack Womack合作，为2005年的纽约嚎叫艺术节（Howl Festival）委托创作的。
他也是纽约MOMA（纽约现代艺术馆）的PS1当代艺术中心所属的WPS1艺术电台的主持人。
装置作品：
Suspension, a video and audio work in collaboration with video artist Janene Higgins. Opened April 2004 at the Chelsea Art Museum, NYC.
Fluvial, computerized multichannel audiowork commissioned by Engine 27 gallery, June ‘02.
Chromatine, an interactive string sculpture/audiowork created for the Gallery of the School of Museum Of Fine Art, Boston, January 2001.
Cryptid Fragments included in the Bitstreams show at the Whitney Museum, 2001.
Sound design and music for Timetable, interactive installation by Perry Hoberman – July 1999. Won Grand Prize at Tokyo NTT ICC Bienalle, 1999.
Soundtrack for Sequences by sculptor Antoine Laval, Dec. ‘97
Soundtrack for Prey, a video installation by Janene Higgins, May ‘97
Tag, an interactive audiowork for “Departure Lounge” at Clocktower Gallery – Mar ‘97
Distressed Vivaldi, for “Model Home” at Clocktower Gallery – Oct ‘96
策展、策划：
Curator of Contemporary Music, PS1 Art Center, NYC, 2004.
Curator of Volume:Bed Of Sound for PS1 and Henry Gallery, Seattle – 2000-2001.
1982-2001 Producer of State of the Union, an ongoing collection of one-minute pieces by an international cast of artists and issued as vinyl records and CD’s by a number of labels including zOaR, Arrest, MuWorks, Atavistic, and the Electronic Music Foundation.
1996 The Extended Piano – The First International Disklavier Festival, NYC
夏普的官方网站：www.elliottsharp.com
他的唱片目录：http://home.arcor.de/nyds-exp-discogs/index0.htm
你是没头脑那我就是不高兴
Thursday, February 16th, 2006不高兴的时候可以给自己加油。加油这件事本身就可以让人高兴。
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水陆观音第三十五期
Sunday, February 12th, 2006
设计：冯昊
2月14日星期二，晚9点30分
1，choral & pornostar
2，郭大刚 & co.
地址：燕莎以东1500米，汽车电影院，两个好朋友酒吧。
电话：81964820/13552276845
waterland kwanyin #35
february 14th, tuesday, 9:30pm
1, choral & pornostar
2, guo dagang & co.
venue: 2 kolegas bar, qi che dian ying yuan (drive in movie theater, dong feng road, east of liang ma qiao)
number: 81964820/13552276845
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choral & pornostar
来自snapline、car-sick cars等乐队的成员，使用吉他、贝司、采样器、玩具，反馈、噪音、旋律，等等。
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郭大刚
来自舌头、沐耳，键盘手、笔记本音乐家。郭大刚 & co.是一个由3台笔记本和一个键盘组成的临时乐队。
guo dagang
member of the legendary rock mavericks tongue and electronic duo muer. keyboard specialist and laptop improvisor.
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水陆观音：
一个有关声音、音乐、艺术和环境的系列交流活动。
每周二晚上，免费入场，室内演出，室外赋闲。
北京第一个和惟一的向实验/即兴音乐家、艺术家开放的交流平台。包容来自不同背景的表演者，鼓励自由即兴和实验探索，力图促成更多的合作，激发表演者和观众的想象力，并混淆他们之间的区别。它延续观音唱片的宗旨——追求精神性的实验音乐和影像，追求表演和环境的沟通统一，探讨、促进新音乐的生态环境。
除了常规演出之外，还提供workshop、影像放映和艺术讲座。
观：可观看的影像、建筑、环境、表情；
音：被感知的声音、音乐、语言、信息。
由观音唱片/Sub Jam主办
曾经出现在水陆观音舞台上的名字：
718、武权、武子以、王凡、颜峻、张荐、丰江舟、小河、柿子、孙玮（THX）、健崔、杨韬、铁观音、背信弃义的双鱼座人、Szkieve、姚斌、八股歌、美之瓜、虎子、欧宁 + 曹斐、Mogauwane Mahloele、老赵、郭龙、李铁桥、曾勇（21g工作组）、Melvin Gibbs、金闪、小四、王长存、fm3、崔健、Huoratron（Aku Raski）、earweego、Jackson Garland、White、Staalplaat Soundsystem、巫娜（暮良文王）、王磊、Nara、iloop、朱剑辉、刘小宁、孬、糖、铁子以、Dead J、DJ OK、ME:MO、SUN dawei、Randomk(e)、DDV（from club moral）、DJ OK、伊力奇（杭盖）、周日升、Eugene Martynec、A Train Wreck for My Comrades、谢天笑、2J、tatsuya nakatani（中谷达也） + audrey chen（陈皓伊）、Frédéric Blin + Aymeric de Tapol、Pink Twins、kristian、NASA、田鹏、守望、沈静（挂在盒子上）、麻沸散、阿米巴、郭大刚（舌头，沐耳）、carlos djanuno dabo、choral & pornostar……
waterland kwanyin
—-sound, music, environment, workshop
kwanyin is name of a popular buddha in china, kwan(guan2) means view, observe, watch, etc. yin(yin1) means music, sound, sonic existence, information, etc.
it’s the only and first open plate for experimental, improvised musicians/artists who live or transiently in beijing. as the idea from kwanyin records, it offers opportunities for artists from different background who now (or in the future) be into free music, i.e. abstract and spiritual sound, field recording mix, noise, as well visual art, body performance, etc.
also combined with film screenning, lecture, workshop and special party.
every tuesday, free entrance.
it’s a kwanyin record/sub jam production
who were played here:
718, wu quan, wu ziyi, wang fan, yan jun, zhang jian, feng jiangzhou, xiao he, shi zi, sun wei(THX), jian cui, yang tao, tie guanyin, Perfidious Pisces, Szkieve, yao bin, 8gg, mei zhi gua, HZ, ou ning + cao fei, Mogauwane Mahloele, christiaan virant, guo long, li tieqiao, zeng yong, zeng yong(21g), Melvin Gibbs, jin shan, sic, wang changcun, fm3, cui jian, Huoratron（Aku Raski）, earweego, Jackson Garland, White, Staalplaat Soundsystem, wu na (from mu liang wen wang), wang lei, Nara, iloop, double fish, liu xiaoning, nao, tang, tie ziyi duo, Dead J, DJ OK,me:mo, SUN dawei, Randomk(e), DDV（from club moral）, yi liqi (from hanggai), zhou risheng, Eugene Martynec, A Train Wreck for My Comrades, Xie Tianxiao, 2J, tatsuya nakatani + audrey chen, Frédéric Blin + Aymeric de Tapol, Pink Twins, kristian, NASA, tian peng, jeff zhang, shen jing (from HOTB), ma fei san, amoeba, guo dagang(from tongue, muer), carlos djanuno dabo, choral & pornostar…
继续听大栅栏
Wednesday, February 8th, 2006给欧宁、曹斐的大栅栏计划做的录音已经上传。都是早晨的录音。布鲁塞尔的朋友ole（fm3、武权、颜峻演出的时候帮忙调过灯光，一流）之前已经录了白天的。李劲松正在做音乐。
http://www.dazhalan-project.org/sound-cn/sound-cn.htm
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试验
Tuesday, February 7th, 2006
设计：冯昊
这回是试验音乐，不是实验音乐。
从9点多回家到现在没离开电脑，满脑子宇宙射线，看样子那个声音景观规划的方案需要一个真正昂贵的作品来点睛了。想想看，近20层楼高的小山顶上，一块水晶般的天然巨石，俯瞰湖面，仰望蓝天，这时候能有什么艺术可以斗胆介入？宇宙射线的信号肯定有用，还需要几百平方米的景观设计，一些低科技的声音装置，结合功能性的设施。怎么朴实怎么来，把钱都花在看不见的地方。以后外星人可以直接降落在这里乘凉。
以后星期二白天都不安排别的事情了。希望明天不会太冷。
18号，13俱乐部，没谱青年、哪吒、snapline；24号，两个好朋友，elliott sharp、沈静、守望；25号，愚公移山，elliott sharp、沈静、守望；
3月，karkowski、Rechenzentrum、blixa的即兴录音大par。