水陆观音第一百一十八期

海报设计:阮千瑞;题字:老车
多多的中文资料暂时没有整理好。他是年轻的英国人,玩很安静的声音,磬、接触式话筒,等等。第一次在水陆观音看见时,很惊喜的。
11月27日星期二,晚9点30
1,多多
2,本哈德·盖尔
3,克里斯托弗·卡尔内利
地址:两个好朋友酒吧(东风桥西300米路北,汽车电影院内)
电话:81964820
Waterland Kwanyin #118
November 20th, tuesday, 9:30pm
1, Patel Pretal (UK)
2, Bernhard Gal (AT)
3, Christof Cargnelli (AT)
venue: 2 kolegas bar, qi che dian ying yuan (drive in movie theater, north side of dong feng road, 300 meters west of dong feng qiao)
tel: 81964820
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多多
Patel Pretal
Patel Pretal are a vocal drone group from London, UK. They use old equipment, tapes and computers to process and distort live vocal improvisations; aesthetically influenced by Basic Channel, William Basinski and films by Andrei Tarkovsky. Dominik (Duo Duo), playing solo, works in a similar way, though uses mandolin, singing bowls and tapes as his sound sources and often plays with a purely acoustic setup. Recent recordings and activities can be scrutinized here: www.myspace.com/patelpretal.
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Bernhard Gal
The Austrian artist, composer and musicologist Bernhard Gal has become internationally known as one of the most prolific sound artists of a younger generation. During the past ten years Gal has created around 50 sound installations and media art projects, combining sound, light, objects, spatial concepts and video projections into intense and often site-specific interdisciplinary art works. He also composes music for acoustic instruments and electro-acoustic music, as well as performing live as a (laptop) musician.
Born in Vienna, Austria in 1971, Gal began to nurture his interest in music and (sound) art around 1985. After studies at Vienna’s University of Music (Sound Engineering) and the University of Vienna (Musicology), and a year-long residency in New York City in 1997–98, he has focused on his compositional and artistic activities. He runs the record label Gromoga Records and is director of the Austrian art organization ‘sp ce’. Together with Ernst Reitermaier, he curates the Viennese Festival ‘Shut up and Listen!’. Currently, Gal lives as a freelance composer and artist in Vienna and Berlin where he also teaches sound art at the University of Arts.
An important aspect of his work is the combination of music with other art forms, in solo projects as well as in collaborations, e.g. since 1997 with the Japanese architect Yumi Kori (‘audio-architectural installations’). As a (laptop) musician, Gal performs in solo concerts and has worked together with musicians such as Tung Chao-Ming, Kai Fagaschinski and Jennifer Walshe.
Gal’s work has been presented in concerts, sound installations, exhibitions, and radio portraits in Europe, Asia, and the Americas and performed by ensembles worldwide. He has been invited to numerous international music and art festivals (including Wien Modern Vienna; ICMC Berlin; MaerzMusik Berlin; Nuova Consonanza Rome; MATA Festival New York; Soundfield Chicago; Mutek Montreal) and frequently gives lectures and workshops.
For his music and art projects Gal has received numerous awards, including the Karl Hofer Prize Berlin 2001, an Annual Grant from SKE-Fonds Vienna 2002, a composer fellowship from the DAAD Artists in Berlin Programme 2003, and the Austrian State Scholarship for Composition 2004. Bernhard Gal’s music has been made available on more than 25 audio publications. In 2005, the German publishing house Kehrer Verlag Heidelberg published the comprehensive catalogue book ‘Installations’, documenting Gal’s intermedia installations since 1999.
本哈德·盖尔
奥地利作曲家和音乐学者Bernhard Gal已经变成了国际最多产的声音艺术新一代杰出代表,最过去的10年中,Gal创建了50个声音装置和多媒体计划,结合了声,光,物体,空间概念和视频等跨领域艺术作品。他也为原声乐器作曲,现场用笔记本电脑演出的艺术家。
网站:http://www.bernhardgal.com
试听:http://www.bernhardgal.com/bio.html#download
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克里斯托弗·卡尔内利
生于1969年,研究计算机音乐和多媒体,以及哲学和民族音乐。2006年曾在北京展出“Nowhere - ein welt raum spiel (宇宙空间游戏)”。作品内充满着强烈的历史、宇宙的界面和言语,以游戏的方与体验者互动。在这里忘掉一切琐事,透明的自体前呈现着前所未有的跨时空的场景空间,伴随而来的是在这里无方向飞行的开始。
网站:http://www.christofcargnelli.com
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水陆观音:
一个有关声音、音乐、艺术和环境的系列交流活动。
2005年6月创办,每周二晚上免费入场。2007年10月开始增加售票演出。一个向实验/即兴音乐家、声音艺术家开放的交流平台。包容来自不同背景的表演者,鼓励自由即兴和实验探索,力图促成更多的合作,激发表演者和观众的想象力,并混淆他们之间的区别。它延续观音唱片的宗旨–追求精神性的实验音乐和影像,追求表演和环境的沟通统一,探讨、促进新音乐的生态环境。
除了常规演出之外,还提供workshop、影像放映和艺术讲座。白糖罐唱片店(www.sugarjar.cn/)现场办公。
观:动词,观察,观看,认知,体会;
音:名词,声音,音乐,信息,存在。
制作:观音唱片/撒把芥末
曾经出现在水陆观音舞台上的名字:
718、武权、武子以、王凡、颜峻、张荐、丰江舟、小河、柿子、孙玮(THX)、健崔、杨韬、铁观音、背信弃义的双鱼座人、Szkieve、姚斌、八股歌、美之瓜、虎子、欧宁 + 曹斐(影像)、Mogauwane Mahloele、老赵、郭龙、李铁桥、曾勇(21g工作组)、Melvin Gibbs、金闪、小四、王长存、fm3、崔健、Einstürzende Neubauten(影像)、Huoratron(Aku Raski)、earweego、Jackson Garland、White、Staalplaat Soundsystem、巫娜、王磊、Nara、iloop、朱剑辉、刘小宁、糖、铁子以、Dead J、DJ OK、ME:MO、SUN dawei、Randomk(e)、DDV、DJ OK、伊力奇、周日升、Eugene Martynec、A Train Wreck for My Comrades、谢天笑、2J、Tatsuya Nakatani(中谷达也) + Audrey Chen(陈皓伊)、Frédéric Blin + Aymeric de Tapol、Pink Twins、Kristian、Theory Of Everything: video art from tokyo(影像)、NASA、田鹏、曹操、守望、沈静、麻沸散、阿米巴、吴俊德、赵已然、Carlos Djanuno Dabo、Zbigniew Karkowski、李劲松(Dickson Dee)、Fannullone (DE)、吉田达也、河端一、津山笃、挂在盒子上、Vialka、Umbrellas、10(马球多 + itta)、Acidzen、D!O!D!O!D、斜韵、SAM2、DINO、林其蔚、EL(杨捷)、四线方格、白天、张安定、A Lower Summer、JEFF (aka Impregnable)、Fathmount、Dead J、龙二+泊(视频)、刘茜(视频)、陈雄伟(视频)、Jules Ambroisine、Steve Barker(DJ)、Leo De Boisgisson(DJ)、得(王旭梁)、盛洁、高一涵、国安 + 慧玲(戏剧)、李增辉、Wei Zen Ho、小珂(舞蹈)、Waldchengarten、Miha Ciglar、 sys.view|view.sys、noise crush、Jan Trützschler von Falkenstein、Boogie、Jet Echo、Maxwell Miller、凯比鸟、The Lowest Summer、周晟、Alessandro Bosetti、Aaron Hull、Laurent Jeanneau、splinter vs stalin、IOIOI、辣歌合唱团、十连阵(冯昊+ 杨韬+小伟)、Joel Grip、David Coulter、Auranoisazzzz、Biki、Yasuhiro Usui、Satoshi Yashiro、Keisuke Oki、Meri Nikula、Emil De Waal、Bandapart、Justice Yeldham、Philippe Bizot(默剧)、Olivier Palai、Manels、Fish的床上暴动、乔小刀、Lisa Nordstr?m、Ivo Bol、Justin Padro、盛海、Johan Soderberg(纪录片)、Noiscape Oceanaunts、Neil B. Rolnick、史阳、Maria Kohnke、Frishzelle、Patel Pretal、Morgan Packard、Fabio Fonda、马恩列思毛、Jeff Rehnlund、SAM2 + BlastSam + xinix + VacuumCar’ori + ShiYang + TronOrchestra +、宇治野宗辉、吴少英、曾伟豪、瓷、Unique Oil Free Air……
waterland kwanyin
—-sound, music, visual, ecology environment
kwan (guan1): view, observe, watch, experience
yin (yin1): music, sound, sonic existence, information
since June of 2005, Waterland Kwanyin is the first open plate for experimental, improvised musicians and sound artists who live or transiently in Beijing. as the idea from KwanYin Records, it offers opportunities for artists from different background who now (or in the future) be into free music, e.g. abstract and spiritual sound, field recording mix, noise, electroacoustic, sonic explore, as well visual art, body performance, etc.
also combined with film screenning, lecture, workshop and special party. sugar jar (www.sugarjar.cn/) selling CDs.
every tuesday, free entrance. charged shows were plused since October of 2007.
it’s a KwanYin/sub jam production.
who was played here since June 2005:
718, Wu Quan, Wu Ziyi, Wang Fan, Yan Jun, Zhang Jian, Feng Jiangzhou, Xiao He, Shi Zi, Sun Wei (THX), Jian Cui, Yang Tao, Tie Guan Yin, Pisces Iscariots (US/CN), Szkieve (CA), Yao Bin, 8gg, Mei Zhi Gua, HZ, Ou Ning + Cao Fei (video), Mogauwane Mahloele (ZA), Christiaan Virant, Guo Long, Li Tieqiao, Zeng Yong (aka 21g), Melvin Gibbs (US), Jin Shan, Sic, Wang Changcun, FM3, Cui Jian, Einstürzende Neubauten (DE) (video), Huoratron (Aku Raski) (FI), Earweego (DE/CN), Jackson Garland (US), White, Staalplaat Soundsystem(NL/DE), Wu Na, Wang Lei, Nara, iLoop, Double Fish, Liu Xiaoning, Tang, Tie Ziyi Duo, Dead J, DJ OK, me:mo, SUN Dawei, Randomk(e), DDV (BE), Yi Liqi, Zhou Risheng, Eugene Martynec (CA), A Train Wreck for My Comrades, Xie Tianxiao (aka XTX), 2J, Tatsuya Nakatani + Audrey Chen Duo (JP/US), Frédéric Blin + Aymeric de Tapol (FR) , Pink Twins (FI), Kristian (UK), Theory Of Everything: Video Art From Tokyo (video screening), NASA, Tian Peng, Cao Cao, Jeff Zhang (aka Shouwang), Shen Jing (aka Shenggy), Ma Fei San, Amoeba, Wu Junde, Zhao Yiran, Carlos Djanuno Dabo (FR), Zbigniew Karkowski (PL/SE/JP), Li Chin Sung (aka Dickson Dee) (HK), Fannullone (DE), Yoshida Tatsuya + Tsuyama Atsushi + Kawabata Makoto (JP), Hang On The Box, Vialka (FR/CA), Umbrellas, 10 (Marqido + Itta) (JP/KR), Acidzen, D!O!D!O!D!, Xie Yun (Tipsy Verse), SAM2 (JP), DINO (TW), Lin Chi-Wei (TW), EL Yang (TW), Si Xian Fang Ge (4 Lines Pane), Zafka, bai+ian, A Lower Summer, JEFF (aka Impregnable) (US), Fathmount (HK), Long 2 +Po (visual), Liu Qian (visual), Chen Xiongwei (visual), Jules Ambroisine (AU), Steve Barker (DJ, UK), Leo De Boisgisson (DJ, FR), DE (Wang Xuliang), Shengjie, Guoan + Hueiling (HK/TW), Gao Yihan (visual), Li Zenghui, Wei Zen Ho (AU), Xiao Ke (dance), Waldchengarten (DK), Miha Ciglar (SI), sys.view|view.sys (US), noise crush (US), Jan Trützschler von Falkenstein (DE), Boogie (SE), Jet Echo (KR), Maxwell Miller (NL), The Lowest Summer, KBN (TW), Zhou Sheng, Alessandro Bosetti (IT), Aaron Hull (AU), Laurent Jeanneau (FR), splinter vs stalin (IT), IOIOI (IT), Spicy Boys, Ten Joint Array, Joel Grip (SE), David Coulter (UK), Auranoisazzzz (JP), Biki (JP), Yasuhiro Usui (JP), Satoshi Yashiro (JP), Keisuke Oki (JP), Meri Nikula (FI), Emil De Waal (DK), Bandapart (DK), Justice Yeldham (AU), Philippe Bizot (Mime, FR), Olivier Palai (FR), Manels (FR), Fish and the Bedroom Riot (TW), Qiao Xiaodao, Lisa Nordstr?m (SE), Ivo Bol (NL), Justin Padro (US), Henri Seng (multi-media), Johan Soderberg (documentary film), Noiscape Oceanaunts, Neil B. Rolnick (US), Shi Yang, Maria Kohnke (DK), Frishzelle (DE), Patel Pretal (UK), Morgan Packard (US), Fabio Fonda (IT), More Less More, Jeff Rehnlund (US/KR), SAM2 + BlastSam + xinix + VacuumCar’ori + ShiYang + TronOrchestra +, Ujino Muneteru (JP), Cindy Ng Sio Ieng (TW), TSENG Wei-Hao (TW), china, Unique Oil Free Air (AU), Bruce Gremo (US), Satch Hoyt (UK)…
November 23rd, 2007 at 3:24 pm
http://bk.baidu.com/view/25555.htm
November 23rd, 2007 at 3:29 pm
http://www.wzd.idv.tw/new_page_44.htm
http://www.wzd.idv.tw/new_page_53.htm
November 27th, 2007 at 4:38 pm
Phranc挺好学的啊,不过最好不要在百度和卖new age产品的台湾网站上止步。百度的解释是对的,但只知其一,不知其二。这个台湾网站基本上是胡说八道,以后不要以讹传讹。
国内还有些可爱的佛教徒管它叫佛音碗。
编磬模型在天坛神乐署看到。
圆口磬在藏传佛教中使用已经很少,也许一些仪轨已经随着僧人流失到了尼泊尔。但汉地佛教使用非常普遍,一是报时集合,例如早课前,一是配合颂经,例如在某些声调转折处。
在我blog可以搜到以前写相关音乐的文字。
November 27th, 2007 at 5:48 pm
维基百科上找不到“磬”和“钵”的资料,所以只能google
因为以前学中学历史的时候印象中,磬应该是悬挂起来的石片,而不是碗状物
所以对此法器的称谓一直有疑惑
不知道你有没有更好的资料
还是台湾和大陆称谓不同?
November 28th, 2007 at 9:17 pm
“磬”是学名,专用名。
“钵”也是印度来的,是口部比较小的碗,乞食之用。后来所有类似形状的东西,不论功能,也都叫钵了,比如碗形的出土文物也可以命名为什么什么钵。
把磬叫做钵,宽泛地说也是对的,因为形状。但严格来说,容易误解和混淆。这就像你可以说古筝是琴一样,我能听懂,但古人就晕了。如果台湾人这样讲,那也是new age商人的以讹传讹。台湾人还开课教“狮子吼”呢——你google一下,看狮子吼究竟是什么。